The medium of Chinese painting has been decided by its developing his-tory in traditional Chinese culture. With the advancement of modern technol-ogy and social culture, the traditional Chinese painting tools can no longermeet the ‘contemporaries demand’of its development. Owningto the weaving of western culture and Chinese civilian life andmixture of these two aesthetics standards, problem the tradi-tional painting faces are to break the boundaries of all techno-logical materials, old rules of expressive styles and media tosave the loss of personality during the process of standardiza-tion and mechanization of the present era.
